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Danny Barker oral history interview. Retrieved from https://doi.org/doi:10.7282/T39W0HWQ
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TitleDanny Barker oral history interview
IntervieweeBarker, Danny
InterviewerHinton, Milt
Date Created1980-05-30
Subject(s)Swing (Music), Jazz musicians, Jazz music, Guitarists
Genreoral histories
Genreinterviews
Note(s)Guitarist and banjo player Danny Barker had a long and prolific career. He was born in New Orleans in 1909. As the nephew of drummer Paul Barbarin, he was exposed to Jazz at an early age. He was a member of Benny Carter's Big Band in 1938 and was the rhythm guitarist for Cab Calloway from 1939-1949. He also performed "Jazz on the River" concert cruises along the Hudson in New York City. He returned to New Orleans and married Blue Lu Barker. The two performed with the Fairview Baptist Church Christian Band. Until his death in 1994, he also lectured on Jazz and served as assistant curator of the New Orleans Museum of Jazz. He authored two books on Jazz, "A Life in Jazz (1986) and "Buddy Bolden and the Last Days of Storyville" (1998-posthumous)
Table of ContentsPage numbers here indicate page numbers for "Read Online" interface. Page numbers listed on transcripts may differ.
Tape 1 Side 1...pp. 1-37
Tape 1 Side 2...pp. 37-72
Tape 2 Side 1...pp. 73-113
Tape 2 Side 2...pp. 113-151
Tape 3 Side 1...pp. 151-179
Tape 3 Side 2...pp. 177-207
Tape 4 Side 1...pp. 208-237
Tape 4 Side 2...pp. 237-261
Tape 5 Side 1...pp. 261-286
Tape 5 Side 2...pp. 286-312
Tape 6 Side 1...pp. 313-337
Tape 6 Side 2...pp. 337-364
Tape 7...pp. 364-388
Tape 8...pp. 388-410
Tape 1 Side 1...pp. 1-37
Tape 1 Side 2...pp. 37-72
Tape 2 Side 1...pp. 73-113
Tape 2 Side 2...pp. 113-151
Tape 3 Side 1...pp. 151-179
Tape 3 Side 2...pp. 177-207
Tape 4 Side 1...pp. 208-237
Tape 4 Side 2...pp. 237-261
Tape 5 Side 1...pp. 261-286
Tape 5 Side 2...pp. 286-312
Tape 6 Side 1...pp. 313-337
Tape 6 Side 2...pp. 337-364
Tape 7...pp. 364-388
Tape 8...pp. 388-410
Persistent URLhttps://doi.org/doi:10.7282/T39W0HWQ
CollectionJazz Oral History Project
Organization NameRutgers University. Institute of Jazz Studies, Rutgers University. Institute of Jazz Studies
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NOTICE OF WARNING CONCERNING COPYRIGHT RESTRICTIONS
The copyright law of the United States (Title 17, US Code) governs the reproduction of copyrighted material.
Under certain conditions specified in the law, libraries and archives are authorized to furnish photocopy or other reproduction. One of these specific conditions is that the photocopy or reproduction is not “to be used for any purpose other than private study, scholarship or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement.
Materials viewed by patrons online or supplied to patrons online are reference copies. Our supply of copies does not constitute copyright permission for further uses and is not an authorization for any further uses involving reproduction, distribution, display, performance, or creation of derivative works, including their use in publications and web sites. It’s the patron’s responsibility to obtain permissions that may be required to use works for purposes other than private study, scholarship, or research, or in excess of fair use.
PlaceNew Orleans, LA
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