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Big Nick Nicholas oral history interview. Retrieved from https://doi.org/doi:10.7282/t3-5q1c-jz77
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TitleBig Nick Nicholas oral history interview
IntervieweeNicholas, Big Nick
InterviewerFitzgerald, Dale
Date Created1980-03
Subject(s)Swing (Music), Jazz musicians, Jazz, Saxophonists
Genreoral histories
Genreinterviews
Note(s)George Walker (1922-1997), better known amongst jazz historians as Big Nick Nicholas, was a multi-talented instrumentalist trained in piano, clarinet and saxophone. After a stint in the military during World War II, Nicholas played with Hot Lips Page and in Dizzie Gillespie's band in 1947. In 1950 and 1951 he played in what are considered legendary jazz sessions in Harlem, New York, where his shouting style of vocals emerged and earned him distinction. He is best known for his later recordings for the India Navigation label, primarily the album Big and Warm.
Note(s)No transcript - Tape 4 Side 1 & Tape 4 Side 2
Note(s)No tape - Supplement to interview
Table of ContentsPage numbers here indicate page numbers for "Read Online" interface. Page numbers listed on transcripts may differ.
No transcript for Tape 4
No tape for Supplement to interview
Tape 1 Side 1...pp. 2-36
Tape 1 Side 2...pp. 36-63
Tape 2 Side 1...pp. 63-101
Tape 2 Side 2...pp. 101-140
Tape 3 Side 1...pp. 141-179
Tape 3 Side 2...pp. 179-213
Tape 4 Side 1...no transcript
Tape 4 Side 2...no transcript
Tape 5 (no tape)...pp. 213-246 (supplement)
No transcript for Tape 4
No tape for Supplement to interview
Tape 1 Side 1...pp. 2-36
Tape 1 Side 2...pp. 36-63
Tape 2 Side 1...pp. 63-101
Tape 2 Side 2...pp. 101-140
Tape 3 Side 1...pp. 141-179
Tape 3 Side 2...pp. 179-213
Tape 4 Side 1...no transcript
Tape 4 Side 2...no transcript
Tape 5 (no tape)...pp. 213-246 (supplement)
Persistent URLhttps://doi.org/doi:10.7282/t3-5q1c-jz77
CollectionJazz Oral History Project
Organization NameRutgers University. Institute of Jazz Studies, Rutgers University. Institute of Jazz Studies
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Under certain conditions specified in the law, libraries and archives are authorized to furnish photocopy or other reproduction. One of these specific conditions is that the photocopy or reproduction is not “to be used for any purpose other than private study, scholarship or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement.
Materials viewed by patrons online or supplied to patrons online are reference copies. Our supply of copies does not constitute copyright permission for further uses and is not an authorization for any further uses involving reproduction, distribution, display, performance, or creation of derivative works, including their use in publications and web sites. It’s the patron’s responsibility to obtain permissions that may be required to use works for purposes other than private study, scholarship, or research, or in excess of fair use.
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